There Is No White Noise, Only Colourful Sound highlights my research on the sound possibilities of the fired clays and the shapes partially borrowed from design. I explore different temperatures as being part of ceramics making process and I develop a personal relationship with the microphones as important step in the creative process. If the visual result makes one think to some functionality, the surprise comes through the headphones because the sound creation reveals the unexpected richness of the sounds that these small objects can produce through specific handlings and carries us towards a deeper, poetic zone.

Gold FuLe Prize 2016 - Ana Maria Asan